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50s Style Collection

Background image50s Style Collection: A glamorous publicity portrait of Diana Dors

A glamorous publicity portrait of Diana Dors
taken for the release of Yield to the Night in 1956

Background image50s Style Collection: Joseph Tomelty as Mr. Pedelty in Meet Mr. Lucifer (1953)

Joseph Tomelty as Mr. Pedelty in Meet Mr. Lucifer (1953)

Background image50s Style Collection: A fashion portrait of Diana Dors

A fashion portrait of Diana Dors
taken at Elstree Studios to publicize the release of Yield to the Night (1956)

Background image50s Style Collection: Bob Monkhouse and Kenneth Connor

Bob Monkhouse and Kenneth Connor
as Charlie Sage and Horace Strong in Carry On Sergeant (1958)

Background image50s Style Collection: Bitter Springs (1950)

Bitter Springs (1950)
An image from the Ealing Studios film directed by Ralph Smart

Background image50s Style Collection: Bitter Springs (1950)

Bitter Springs (1950)
An image from the Ealing Studios film directed by Ralph Smart

Background image50s Style Collection: Bitter Springs (1950)

Bitter Springs (1950)
An image from the Ealing Studios film directed by Ralph Smart

Background image50s Style Collection: Bitter Springs (1950)

Bitter Springs (1950)
An image from the Ealing Studios film directed by Ralph Smart

Background image50s Style Collection: Mary Hilton shoots

Mary Hilton shoots
Diana Dors in a scene from Yield to the Night, the film was entitle Blonde Sinner in the USA

Background image50s Style Collection: A portrait of Diana Dors

A portrait of Diana Dors
taken for the release of Yield to the Night. This image was eventually used for the UK quad poster for the release of the film in 1956

Background image50s Style Collection: Bob Monkhouse, Shirley Eaton and Dora Bryan

Bob Monkhouse, Shirley Eaton and Dora Bryan
in a scene from Carry On Sergeant (1958)

Background image50s Style Collection: Yvonne Mitchell and bulldog

Yvonne Mitchell and bulldog
in a publicity portrait for the release of Yield To The Night in 1956

Background image50s Style Collection: On the set of Privates Progress (1956)

On the set of Privates Progress (1956)
Director John Boulting and associate producer Ernest Holding in a pause of filming the comedy classic

Background image50s Style Collection: log1956 bw pri 026 edited-1

log1956 bw pri 026 edited-1
LONG ARM, THE (1956), log1956 bw pri 026 edited-1

Background image50s Style Collection: log1956 bw pri 001 edited-1

log1956 bw pri 001 edited-1
LONG ARM, THE (1956), log1956 bw pri 001 edited-1

Background image50s Style Collection: log1956 bw pri 003 edited-1

log1956 bw pri 003 edited-1
LONG ARM, THE (1956), log1956 bw pri 003 edited-1

Background image50s Style Collection: log1956 bw pri 004 edited-1

log1956 bw pri 004 edited-1
LONG ARM, THE (1956), log1956 bw pri 004 edited-1

Background image50s Style Collection: log1956 bw pri 005 edited-1

log1956 bw pri 005 edited-1
LONG ARM, THE (1956), log1956 bw pri 005 edited-1

Background image50s Style Collection: log1956 bw pri 007 edited-1

log1956 bw pri 007 edited-1
LONG ARM, THE (1956), log1956 bw pri 007 edited-1

Background image50s Style Collection: log1956 bw pri 008 edited-1

log1956 bw pri 008 edited-1
LONG ARM, THE (1956), log1956 bw pri 008 edited-1

Background image50s Style Collection: log1956 bw pri 009 edited-1

log1956 bw pri 009 edited-1
LONG ARM, THE (1956), log1956 bw pri 009 edited-1

Background image50s Style Collection: log1956 bw pri 011 edited-1

log1956 bw pri 011 edited-1
LONG ARM, THE (1956), log1956 bw pri 011 edited-1

Background image50s Style Collection: log1956 bw pri 012 edited-1

log1956 bw pri 012 edited-1
LONG ARM, THE (1956), log1956 bw pri 012 edited-1

Background image50s Style Collection: log1956 bw pri 013 edited-1

log1956 bw pri 013 edited-1
LONG ARM, THE (1956), log1956 bw pri 013 edited-1

Background image50s Style Collection: log1956 bw pri 017 edited-1

log1956 bw pri 017 edited-1
LONG ARM, THE (1956), log1956 bw pri 017 edited-1

Background image50s Style Collection: log1956 bw pri 018 edited-1

log1956 bw pri 018 edited-1
LONG ARM, THE (1956), log1956 bw pri 018 edited-1

Background image50s Style Collection: log1956 bw pri 020 edited-1

log1956 bw pri 020 edited-1
LONG ARM, THE (1956), log1956 bw pri 020 edited-1

Background image50s Style Collection: log1956 bw pri 021 edited-1

log1956 bw pri 021 edited-1
LONG ARM, THE (1956), log1956 bw pri 021 edited-1

Background image50s Style Collection: log1956 bw pri 022 edited-1

log1956 bw pri 022 edited-1
LONG ARM, THE (1956), log1956 bw pri 022 edited-1

Background image50s Style Collection: log1956 bw pri 023 edited-1

log1956 bw pri 023 edited-1
LONG ARM, THE (1956), log1956 bw pri 023 edited-1

Background image50s Style Collection: log1956 bw pri 024 edited-1

log1956 bw pri 024 edited-1
LONG ARM, THE (1956), log1956 bw pri 024 edited-1

Background image50s Style Collection: log1956 bw pri 025 edited-1

log1956 bw pri 025 edited-1
LONG ARM, THE (1956), log1956 bw pri 025 edited-1

Background image50s Style Collection: log1956 bw neg 027 edit

log1956 bw neg 027 edit
LONG ARM, THE (1956), log1956 bw neg 027 edit

Background image50s Style Collection: log1956 bw neg 004 edited-1

log1956 bw neg 004 edited-1
LONG ARM, THE (1956), log1956 bw neg 004 edited-1

Background image50s Style Collection: log1956 bw neg 009 edited-1

log1956 bw neg 009 edited-1
LONG ARM, THE (1956), log1956 bw neg 009 edited-1

Background image50s Style Collection: log1956 bw neg 013 edited-1

log1956 bw neg 013 edited-1
LONG ARM, THE (1956), log1956 bw neg 013 edited-1

Background image50s Style Collection: log1956 bw neg 022 edit

log1956 bw neg 022 edit
LONG ARM, THE (1956), log1956 bw neg 022 edit

Background image50s Style Collection: A portrait of Michael Craig

A portrait of Michael Craig
who played Jim Lancaster in Yield To The Night in 1956

Background image50s Style Collection: A glamourous Diana Dors

A glamourous Diana Dors
with cigarette poses on a sofa in a publicity shot for Yield To The Night in 1956

Background image50s Style Collection: log1956 bw pri 015 edited-1

log1956 bw pri 015 edited-1
LONG ARM, THE (1956), log1956 bw pri 015 edited-1

Background image50s Style Collection: log1956 bw neg 001 edited-1

log1956 bw neg 001 edited-1
LONG ARM, THE (1956), log1956 bw neg 001 edited-1

Background image50s Style Collection: log1956 bw neg 002 edited-1

log1956 bw neg 002 edited-1
LONG ARM, THE (1956), log1956 bw neg 002 edited-1

Background image50s Style Collection: log1956 bw neg 003 edited-1

log1956 bw neg 003 edited-1
LONG ARM, THE (1956), log1956 bw neg 003 edited-1

Background image50s Style Collection: log1956 bw neg 005 edited-1

log1956 bw neg 005 edited-1
LONG ARM, THE (1956), log1956 bw neg 005 edited-1

Background image50s Style Collection: log1956 bw neg 006 edited-1

log1956 bw neg 006 edited-1
LONG ARM, THE (1956), log1956 bw neg 006 edited-1

Background image50s Style Collection: log1956 bw neg 007 edited-1

log1956 bw neg 007 edited-1
LONG ARM, THE (1956), log1956 bw neg 007 edited-1

Background image50s Style Collection: log1956 bw neg 010 edited-1

log1956 bw neg 010 edited-1
LONG ARM, THE (1956), log1956 bw neg 010 edited-1

Background image50s Style Collection: log1956 bw neg 011 edited-1

log1956 bw neg 011 edited-1
LONG ARM, THE (1956), log1956 bw neg 011 edited-1

Background image50s Style Collection: log1956 bw neg 012 edited-1

log1956 bw neg 012 edited-1
LONG ARM, THE (1956), log1956 bw neg 012 edited-1

Background image50s Style Collection: log1956 bw neg 021 edited-1

log1956 bw neg 021 edited-1
LONG ARM, THE (1956), log1956 bw neg 021 edited-1

Background image50s Style Collection: log1956 bw neg 023 edit

log1956 bw neg 023 edit
LONG ARM, THE (1956), log1956 bw neg 023 edit

Background image50s Style Collection: log1956 bw neg 024 edit

log1956 bw neg 024 edit
LONG ARM, THE (1956), log1956 bw neg 024 edit

Background image50s Style Collection: log1956 bw neg 025 edit

log1956 bw neg 025 edit
LONG ARM, THE (1956), log1956 bw neg 025 edit

Background image50s Style Collection: log1956 bw neg 026 edit

log1956 bw neg 026 edit
LONG ARM, THE (1956), log1956 bw neg 026 edit

Background image50s Style Collection: log1956 bw neg 028 edit

log1956 bw neg 028 edit
LONG ARM, THE (1956), log1956 bw neg 028 edit

Background image50s Style Collection: Stanley Holloway as Mr. Hollingsworth in Meet Mr. Lucifer (1953)

Stanley Holloway as Mr. Hollingsworth in Meet Mr. Lucifer (1953)

Background image50s Style Collection: Jean Cadell as Mrs. MacDonald in Meet Mr. Lucifer (1953)

Jean Cadell as Mrs. MacDonald in Meet Mr. Lucifer (1953)

Background image50s Style Collection: Peggy Cummins as Kitty in Meet Mr. Lucifer

Peggy Cummins as Kitty in Meet Mr. Lucifer

Background image50s Style Collection: A smiling Peggy Cummins as Kitty in Meet Mr. Lucifer

A smiling Peggy Cummins as Kitty in Meet Mr. Lucifer

Background image50s Style Collection: Philip Harben in his appearance in Meet Mr. Lucifer (1953)

Philip Harben in his appearance in Meet Mr. Lucifer (1953)

Background image50s Style Collection: Gilbert Harding in his appearance in Meet Mr. Lucifer (1953)

Gilbert Harding in his appearance in Meet Mr. Lucifer (1953)

Background image50s Style Collection: MacDonald Hobley in his appearance in Meet Mr. Lucifer

MacDonald Hobley in his appearance in Meet Mr. Lucifer

Background image50s Style Collection: A smiling Diana Dors during filming of Yield to the Night

A smiling Diana Dors during filming of Yield to the Night
sitting next to the actress during a pause of the shoot is director J. Lee Thompson

Background image50s Style Collection: Checking the news on the set of Yield to the night

Checking the news on the set of Yield to the night
a publicity shot of actress Yvonne Mitchell and producer Kenneth Harper taken at Elstree Studios in 1956

Background image50s Style Collection: A portrait of Diana Dors and Michael Craig

A portrait of Diana Dors and Michael Craig
who played Mary Hilton and Jim Lancaster in Yield To The Night directed by J. Lee Thompson in 1956

Background image50s Style Collection: J. Lee Thompson directs Diana Dors

J. Lee Thompson directs Diana Dors
on location at Belgrave Mews in London during the filming of Yield to the Night

Background image50s Style Collection: Mary Hilton and Jim Lancaster

Mary Hilton and Jim Lancaster
the characters played by Diana Dors and Michael Craig in a scene shot at Hyde Park for Yield to The Night in 1956

Background image50s Style Collection: Yvonne Mitchell and Diana Dors

Yvonne Mitchell and Diana Dors
as prisoner officer Macfarlane and Mary Hilton in Yield To The Night. The film was based on a book by Joan Henry

Background image50s Style Collection: A scene from Yield to the Night (1956)

A scene from Yield to the Night (1956)
with Yvonne Mitchell as prisoner officer MacFarlane

Background image50s Style Collection: A humorous portrait of Diana Dors

A humorous portrait of Diana Dors
with a copy of an article about glamour and British Cinema written by Dick Richards

Background image50s Style Collection: Diana Dors at Elstree Studios

Diana Dors at Elstree Studios
with Studio hairdresser A.G. Scott during the filming of Yield to the Night in 1956

Background image50s Style Collection: Diana Dors as Mary Hilton

Diana Dors as Mary Hilton
in a portrait taken for the release of the drama Yield to the Night written by Joan Henry and John Cresswell

Background image50s Style Collection: An image of Michael Craig

An image of Michael Craig
who played the character Jim Lancaster in J. Lee Thompsons Yield to the Night in 1956

Background image50s Style Collection: A portrait of Meg Buchanan

A portrait of Meg Buchanan
as Sarah in The Maggie (1954)

Background image50s Style Collection: A scene from The Maggie

A scene from The Maggie
directed in 1954 by Alexander MacKendrick

Background image50s Style Collection: Tommy Kearins as the wee boy

Tommy Kearins as the wee boy
in a scene from The Maggie (1954)

Background image50s Style Collection: Hubert Gregg and Abe Barker

Hubert Gregg and Abe Barker
as Pusey and the engineer in a scene from The Maggie (1954)

Background image50s Style Collection: James Copeland as The Mate

James Copeland as The Mate
in a scene from The Maggie (1954)

Background image50s Style Collection: Sergeant Grimshawe shouts at Charlie Sage

Sergeant Grimshawe shouts at Charlie Sage
William Hartnell and Bob Monkhouse in Carry On Sergeant (1958)

Background image50s Style Collection: Eric Barker and William Hartnell

Eric Barker and William Hartnell
in as scene from Carry On Sergeant (1958)

Background image50s Style Collection: Kenneth Williams as James Bailey

Kenneth Williams as James Bailey
in as scene from Carry On Sergeant (1958)

Background image50s Style Collection: Eric Barker Charles Hawtrey and William Hartnell

Eric Barker Charles Hawtrey and William Hartnell
in a scene from Carry On Sergeant (1958)

Background image50s Style Collection: Bob Monkhouse

Bob Monkhouse
as hapless Charlie Sage in Carry On Sergeant (1958)

Background image50s Style Collection: First Day in the Barracks

First Day in the Barracks
in a scene from Carry On Sergeant (1958)



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